The album’s fourth single, “Ambiente,” is a throwback to Eighties Jamaican lovers rock, complete with old-school brass stabs and lyrics conjuring ganja smoke. ‘Back to the Future Part II’ Changed the Course of Hollywood Historyīalvin is a smoothie, a chiseled yet cherubic heartthrob with a gentle-roughneck tenor and a seductive, vaped-up flow his wingman Alejandro “Sky” Ramirez and reggaetón veteran Marco “Tainy” Masis produce most of the tracks with a languid bounce. Produced by Parisian producer/featured co-singer Willy Williams with co-writes by French radio VIP DJ Assad and Swedish-Congolese pop journeyman Mohombi, “Mi Gente” kicks off Vibras, and its dubby, chilled-out, internationalist take on reggaetón is a template for the entire set. The video for last year’s “Mi Gente” – a mighty club jam that shares its title (meaning “My People”) with the signature song of salsa legend/Balvin hero Hector Lavoe – has racked up 1.8 billion YouTube views at last count, and even scored a remix cameo from Beyoncé, who invited Balvin up for her epic Coachella set last month. Vibras, Balvin’s fifth studio LP, happens to be a pan-Latin masterstroke of its own, a set of primo Spanish-language pop with vibe deep enough to make it universal.īalvin is leading a new breed of Latin stars who can cross over without watering down their roots – an interesting development in this ostensibly wall-building era. So an apparent trifle like Cardi’s B’s “I Like It” is, in fact, a pan-Latin masterstroke packed with history, a hit based on “I Like It Like That” – the genre-defining 1967 single by Latin boogaloo king Pete Rodriguez – updated by a Dominican-Trinidadian rapper tag-teaming with a Puerto Rican trap phenom (Bad Bunny) and a Colombian reggaetón ambassador: J. At root, American pop is Latin music as much as anything else, from country’s Mexican DNA to the Cuban syncopations that seeded jazz, rock & roll, disco, salsa and hip-hop.
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